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You've selected:
Anthony Antolini
Sheetmusic to print
3 sheet music found
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For Us There Is No Other Help but Thee (Nye ímamï inïya pómoshchi) (Downloadable)
For Us There Is No Other Help but Thee (Nye Ãmamï inïya pómoshchi) (Downloadable)
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Choral SATB
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EASY
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Anthony Antolini and Pavel Gri
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Anthony Antolini
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For Us There Is No Other Help
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir (choir divisi) unaccompanied - Moderately Easy - SKU: MQ.8248-E Composed by Anthony Antolini and Pavel Grigorievich Chesnokov. Arranged by An...
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SATB choir (choir divisi) unaccompanied - Moderately Easy - SKU: MQ.8248-E Composed by Anthony Antolini and Pavel Grigorievich Chesnokov. Arranged by Anthony Antolini. Advanced/Collegiate. 20th Century, Communion. Instrument parts. 8 pages. E. C. Schirmer Music Company - Digital #8248-E. Published by E. C. Schirmer Music Company - Digital (MQ.8248-E). English, Slavonic.Nye ímamï inïya pómoshchi comes from a set of ten communion hymns, Opus 25. It is technically a kontakion, (a hymn sung in commemoration of a feast day, whether referring to Christ, the Virgin Mary, or to a saint). Nye ímamï inïya pómoshchi is intended to be sung for the feast day commemorating an icon of the Virgin entitled “The joy of all who sorrow,” (Всех скорбящих Радость|Vsekh skorbyashchikh Radost') observed on October 24 in the Orthodox Church calendar. The author of the text is unknown. In contemporary church practice, this work is sometimes sung during the communion of the clergy. Although other pieces in Opus 25 are based on traditional church chants, Nye ímamï inïya pómoshchi contains original music that is not based on any preexisting chant. The present edition is based on the first edition published in Moscow by Pyotr Ivanovich Jurgenson. The keyboard reduction has been modified from the Jurgenson edition. Russian Orthodox performance practice forbids the use of musical instruments to accompany church singing. Organ accompaniment, if used, should be unobtrusive. The Jurgenson edition includes Chesnokov's use of a quarter note without metronome marking. This indicates that the pulse is in a moderato tempo in quarter notes. A tempo of approximately 69 to the quarter note is suggested. The Jurgenson edition has inconsistent dynamic markings in various parts and text appears only below the soprano and tenor parts. For clarity and convenience, these indications have been included in each staff in the present edition. This scholarly performance edition includes notes concerning the history of Chesnokov and this piece, performance notes, the editorial method of the English singing version, and a pronunciation guide for the Slavonic transliteration.
$2.25 ≈
2.10€
The Glory of Our God (Kol’ slaven) (Downloadable)
The Glory of Our God (Kolâ slaven) (Downloadable)
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Choral SATB
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EASY
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Anthony Antolini and Dimitri S
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Anthony Antolini
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The Glory of Our God
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir unaccompanied - Moderately Easy - SKU: MQ.8208-E Composed by Anthony Antolini and Dimitri S. Bortniansky. Arranged by Anthony Antolini. Advan...
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SATB choir unaccompanied - Moderately Easy - SKU: MQ.8208-E Composed by Anthony Antolini and Dimitri S. Bortniansky. Arranged by Anthony Antolini. Advanced/Collegiate. Church Anniversary, Confirmation, Memorial, Classical. Instrument part. 10 pages. Duration 4 minutes, 15 seconds. E. C. Schirmer Music Company - Digital #8208-E. Published by E. C. Schirmer Music Company - Digital (MQ.8208-E). French, Russian.The Russian version, Kol' slaven, sets the poetry of M. M. Kheraskov (1733–1807), a Mason. The hymn was first associated with Freemasonry in Russia, but its popularity quickly grew. It became an unofficial national anthem until it was superseded by Lvov's “God save the Tsar.” Except during the Soviet period (1917–1991), Kol' slaven has been used in Russia at public gatherings and military ceremonies such as the christening of ships, lowering or raising of the flag, and at military funerals. Kol' slaven also became popular among émigré Russians and has been associated with Russian emigration in many countries. The singing of hymns with multiple verses in chorale style is not a part of Russian Orthodox worship. For this reason, Bortniansky's hymn is not considered liturgical in the Russian Church but is used mostly for secular ceremonies. The language of the hymn is Russian (although with several archaic words and word endings) rather than the language of Russian Orthodox worship, Church Slavonic. In Germany, the hymn is used not only in worship but also for military ceremonies and is occasionally sung as a prelude to the German national anthem. This scholarly performance edition includes extensive notes concerning the history of Bortniansky and this piece, performance notes, the editorial method of the English singing version, and a pronunciation guide for the Russian transliteration.Duration: 4:15.
$2.25 ≈
2.10€
This Is the Day That the Lord Has Made/Syey dyen’, yegó zhe sotvoryí Gospód’ (Downloadable)
This Is the Day That the Lord Has Made/Syey dyenâ, yegó zhe sotvoryà Gospódâ (Downloadable)
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Choral SATB
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EASY
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Sacred music
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Anthony Antolini and Dimitri S
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Psalms 84:8
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This Is the Day That the Lord
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir (choir divisi) unaccompanied - Moderately Easy - SKU: MQ.8622-E Composed by Anthony Antolini and Dimitri S. Bortniansky. Easter. 12 pages. Du...
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SATB choir (choir divisi) unaccompanied - Moderately Easy - SKU: MQ.8622-E Composed by Anthony Antolini and Dimitri S. Bortniansky. Easter. 12 pages. Duration 2 minutes, 50 seconds. E. C. Schirmer Music Company - Digital #8622-E. Published by E. C. Schirmer Music Company - Digital (MQ.8622-E). English, Slavonic. Psalms 117:24; Psalms 84:8; Psalms 60:6,7,8.The first movement of Bortniansky’s three-movement Choral Concerto No. 9. The choral concerto is a setting of a sacred text, usually from the Book of Psalms, and sung during the Divine Liturgy. It is usually divided into three or four contrasting movements. The form mirrors the instrumental concerto in that tutti and solo sections provide contrasting textures. The work is conceived for unaccompanied performance, a rubric of Orthodox choral music. This edition was gleaned from sources prior to Tchaikovsky's 1882 edition, in which he admitted changing voice leading, removed or added ornamentation, and added innumberable dynamic markings. Duration 2:50.
$2.65 ≈
2.47€
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Anthony Antolini
